
by John Helmer, Moscow
@bears_with
If the price of crude oil is stable or rising, the money spent on Russian art works at the semi-annual sales of the London art auction houses usually follows suit.
In June, when the last Russian Art Week was held, the price of oil was experiencing a seesaw between $71 and $63 per barrel. Last week the oil price was moving up from $59 to $65. Allowing a lag in the time art buyers need to count the cash flowing into their bank accounts, the latest round of bidding should have come close to the June result. The actual outcome is that last week’s grand total came to £35.36 million; this compares to £35.93 million in June, and to £35.02 million in November of 2018.
US sanctions don’t have a direct impact because the biggest Russian art buyers in the London market aren’t the individuals targeted by the US Treasury. Instead, some are grand larcenists who launder the money they have stolen from their Russian banks and businesses, and who have been given safe haven to decorate their walls, girlfriends, and gardens by the British Government. Click to follow their story.
The domestic Russian art market is also showing resistance to Russia hating abroad. The latest measurement, based on reporting from Russian art dealers, shows the indexes for paintings and graphics bottomed out last year, and have been slowly improving this year.
Diversification of genres for sale is also drawing fresh demand because of the low base effect — the prices are starting in the bargain basement. William MacDougall, co-director of the third-ranked London house, observes: “Our contemporary Russian Art Auction (over $1.3 million) on Monday was the first specialist auction for that sector in a decade (June 2008 was also ours). Its success has raised hopes that that area of the market is finally reviving. In this auction round the middle was stronger than the top. We have also been seeing stronger demand for Contemporary in the last two auctions, albeit from a low base, hence our specialist auction.”
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