By John Helmer, Moscow
@bears_with
Somerset Maugham, the leading story-teller in the Anglo-American market a century ago, said there are three rules for writing a best-seller, but he added: “no one knows what they are.” As unlikely as it is for the profitability of a major line of business to be as unpredictable and irrational as Maugham claimed publishing was, writers and readers go on believing it. It’s the big fiction — talent versus the law of the market.
Mikhail Sholokhov was both talented and also the best-selling writer of the Soviet period. The centenary of his birth on May 25, 2005, was celebrated by President Vladimir Putin with a visit to Sholokhov’s home and family in the Rostov region. “Isn’t there anything to remember from the Soviet period except Stalin’s prison camps and repressions?” Putin had asked in a presentation to the State Duma of new legislation on the Russian state symbols. “What about Dunayevsky, Sholokhov, Shostakovich, Korolyov and our space achievements?” Sholokhov is the only writer on that list.
He was — he still is a symbol of the state. For that reason, although he died in 1984, his four-volume work, Quiet Don (Тихий Дон; also And Quiet Flows the Don), published between 1928 and 1940, continues to draw fierce argument in the Russian press. The first of the allegations against him is that he plagiarized the Quiet Don. That began almost immediately after the first volume was first published in 1928; the debate continues this year on Russian television and the internet. The second allegation is that Sholokhov and his book would not have succeeded if not for the protection and patronage of Josef Stalin; the charge against Sholokhov’s work is that it’s the discreditable product of Stalinism.
A newly published book by an American academic, Brian Boeck, gives the lie to both these charges against Sholokhov. But Boeck does much more. He reveals the history of money-grubbing, death-dealing faction-fighting among Russian writers which hasn’t stopped. And that’s the law of the market, which the writers (and other Russian artists and intellectuals) cannot escape, not under Stalin before, nor under Putin now. The law of the market is that competition for money generates fraud, faking, and when everything else fails in time of war, violence. (more…)






















