By John Helmer, Moscow
  @bears_with

On November 7-8, this website published a report on what the indictment of Igor Danchenko by the US Department of Justice, the Federal Bureau of Investigation (FBI), and Special Counsel John Durham didn’t mean, and what consequences it was unlikely to have.  The title was: Does the US Government really intend to make lying about Russia a crime?  The question was more than rhetorical, it was ironical.

In the days following, more evidence has been published which fills out the blanks in that report, also heaping irony upon irony.  This work provides fresh evidence about individuals;  organisations; a trail of urine from the Ritz-Carlton Hotel Moscow; money trails and plots which the Danchenko indictment masks with anonymous tags, overlooks,  or conceals deliberately.

Research and detective work by Liane Theuerkauf in Munich, Stephen McIntyre and his ClimateAudit website in Canada,  Marcy Wheeler and her EmptyWheel blog in Houston,  Chuck Ross of the Daily Caller in Washington, DC, and others deserve to be expanded here and followed up. They are instructive; Aaron Maté and his Grayzone colleagues,  Matt Taibbi, Glenn Greenwald, and Jimmy Dore ignore or misrepresent this research while trying to sell you false scoops they attribute to themselves.

by Editor - Sunday, November 14th, 2021
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By John Helmer, Moscow
  @bears_with

British government officials. state prosecutors,  and police have lied repeatedly in announcements over the past three years that they have issued European Arrest Warrants charging three Russian military officers with attempted murder using the Novichok chemical weapon against targets in England.

The three Russians have been named in official British press releases as Alexander Petrov (also known as Alexander Mishkin); Ruslan Boshirov (Anatoly Chepiga); and Denis Sergeyev (Sergei Fedotov – lead image).

This week a spokesman for the Crown Prosecution Service (CPS) in London declared: “I can confirm that European Arrest Warrants have been issued for all three suspects.” Asked for proof, a senior CPS official refused, announcing: “We have nothing further to add.”

In The Hague, the European Union Agency for Criminal Justice Cooperation (Eurojust) administers the European Arrest Warrant (EAW) scheme and maintains the database of all EAWs requested by the UK and issued for circulation to the European states. The Eurojust spokesman, Ton van Lierop, was asked this week to confirm details of the EAWs which the British claim to have obtained for the three Russians. Van Lierop replied:  “we have not found any records of the cases mentioned.”

by Editor - Thursday, November 11th, 2021
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By John Helmer, Moscow
  @bears_with

There are two kinds of lies about Russia.

Not white or black; neither the Big Lie nor the small one. Those are differences between what’s true and what’s false.

In our war-fighting world the real difference between lies is whom you tell your Russia lie to. This is according to the US Department of Justice and the Federal Bureau of Investigation (FBI) in the indictments they have composed against Michael Sussmann (lead image, left) and Igor Danchenko (centre).  

Their lies were told in aid of, and in hope of reward from Hillary Clinton. Among the rewards which one Russian, their Russian sub-source number 1,  told them in exchange for his lies were Clinton’s autograph and a promise “to take me off to the State Department [to handle] issues of the former USSR and then we’ll see who is looking good and who is not.”

Five years after their lies started, it is now the official position of the US Government that these conmen invented the story of Donald Trump’s Golden Showers on the bed in the presidential suite of the Ritz-Carlton Hotel in Moscow.  In the interval, the gullibility of the government and lawlessness of the liars they engaged have demonstrated for all to see who is looking good now and who is not.

Alternatively, the five-year interval and the indictments of Sussmann and Danchenko demonstrate nothing of the sort. This is because much bigger lies about Russia remain the official policy of the US Government. They are on trial in the High Court of London where the liars are Catherine Belton (right) and Rupert Murdoch’s publishing outlet, HarperCollins.  

by Editor - Tuesday, November 9th, 2021
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By John Helmer, Moscow
  @bears_with

When David Cornwell (aka John Le Carré) died after a bathroom fall last December, the current chief of the Secret Intelligence Service (aka MI6), Richard Moore, announced by tweet that Cornwell had been “a giant of literature who left his mark on MI6 through his evocative and brilliant novels”.  By mark, Moore didn’t mean blot.

On October 21, the last of the Le Carré novels was published. Called “Silverview”, it starts with a whopping mistake on the first line. It continues making mistakes until the last page where the final words Le Carré wrote were: “and that’s the last secret I’ll keep from you”. The publisher has followed with twelve blank pages. No mistaking them – they are Le Carré’s evocation of the state of mind inside the Service from Moore down.  

Not a secret he can keep from you. Nor a mistake by Le Carré.

by Editor - Sunday, November 7th, 2021
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By John Helmer, Moscow
  @bears_with

This is the story of how Vladimir Putin changed his mind on who should own Russia’s most important asset sailing the seven seas. Or did he really?

This is also the story of the privatisation of Sovcomflot, the state-owned shipping company and one of the largest fleets of oil and gas tankers in the world. Or is that what really happened?

by Editor - Wednesday, November 3rd, 2021
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By John Helmer, Moscow
  @bears_with

The Russia bunker-buster information bomb, Catherine Belton’s (lead image) Putin’s People, proved to be a dud at a London ceremony last week.  In its award for the best non-fiction book about Russia for 2020, Pushkin House announced the winner was a retiring Oxford don whose “long and distinguished career” had displayed  “wisdom and insight.”  

Despite lobbying by Belton’s supporters and the publisher, Rupert Murdoch’s HarperCollins, Belton’s book was relegated.  Pushkin House doesn’t have a prize for fiction about Russia.

Sources familiar with the book prize review believe that HarperCollins’s recent acknowledgement of fabrication and unprofessional conduct by Belton in an out-of-court settlement of a lawsuit by Mikhail Fridman and Pyotr Aven,  and ongoing lawsuits from Roman Abramovich and Rosneft in London’s High Court,  cast  doubt on the veracity of the book and of the author. After accepting a donation from Alexei Navalny in 2018, and a sharp fall in investment income last year, Pushkin House’s trustees and donors decided they could not afford to risk fresh political controversy.

The High Court case against Belton and HarperCollins is continuing. If it proceeds to a full hearing of witnesses and evidence, with appeals, London lawyers estimate it will cost all sides about £100 million. The risk of penalty damages and cost indemnity judgement against HarperCollins doubles the potential cost to a figure roughly equal to last year’s accumulated earnings for the publishing company, $303 million (£220 million).   

But last week, in a fresh signal that Prime Minister Boris Johnson is concerned at the financial losses British exporters and investors are paying for Whitehall’s information war against the Kremlin, he told President Vladimir Putin in a telephone call “the UK’s current relationship with Russia is not the one we want.”  In the matching Kremlin communiqué, Putin said he and Johnson “expressed the shared opinion that, despite obvious problems, it is necessary to establish cooperation between Moscow and London in a number of areas.”  

The “obvious problem”, both understand, is the faction of British government, military and secret service officials who are running the information war, continuing their engagement in the Skripal and Navalny Novichok operations.  But official support for Belton’s book is waning, sources close to the High Court case believe.  It is likely to weaken further as new evidence and witnesses appear, and as defence lawyers worry that Belton will be unable to withstand cross-examination in court.

by Editor - Monday, November 1st, 2021
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By John Helmer, Moscow
  @bears_with

The Russian intelligentsia, their hangers-on, oligarchs, and Navalnyites have always suffered from a cultural cringe. The grass is greener on the other side of the Russian border, they think, and for obvious reasons – though they aren’t the same for each of the cringing elites.  

So when the political tide goes out and leaves Russia stranded and isolated – as happened after the Revolution of 1917, the German invasion of 1941, and the NATO sanctions war since 2014 – the market in cultural nostalgia revives. For those trapped by history or money outside, the demand is for interior decoration with paintings of Russia as they like to imagine it. For those inside, they demand views of France – particularly the streets of Paris, the watering holes of Provence, and French ladies en déshabillé.

And so it came about that at the start of this month, MacDougall’s, the leading international auction house for Russian paintings, held its first-ever auction of Franco-Russian nostalgia entitled “École de Paris and Russian Artists in France”. MacDougall’s was the first house to organise a dedicated sale of works by Russian émigré artists in London; that was in 2004, just after the Russian Finance Ministry lifted the 30% tax on art imported to Russia; well before the US started the war in Ukraine in 2014.

On this new occasion, the paintings to be sold – 206 lots in all — had been part of the collection of a single European collector living in Monaco. Russian Art+Culture,  reports that  “over several decades, the collector managed to acquire almost a complete anthology of the Ecole de Paris.”

The outcome of the October 6 sale was total proceeds of £524,512, and the sale of 87 of the works on offer – 42%.

This clearance rate is well behind the 54% MacDougall’s managed at its midsummer Russian art auction.  The clearance rate for nudes, always a sensitive measure of Russian taste, was much lower. A total of 34 full-frontals were auctioned; all but one of them female; one canvas in six on the block. But just 7 were bought – 21%. In the midsummer Russian art week in London, the nude stocks cleared with less inhibition.

However, “Reclining nude” by Boris Chaliapin (lead image*) set close to the show record for beating the house estimate. MacDougall’s had marked the painting down for a maximum of £9,000, but it sold for £21,250 – more than double.

by Editor - Wednesday, October 27th, 2021
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By Stanislas Balcerac, Warsaw, and John Helmer, Moscow
  @bears_with

When Radosław Sikorski was a Polish government minister, he was obliged to make an annual report to the parliament (Sejm) and a public record of his income and assets.

For Polish  voters to learn whether his wife was being rewarded for influencing her husband in his official duties, and vice versa, the annual disclosure was required to include a line for her takings. Sikorski’s wife, an American named Anne Applebaum, is paid to give public lectures and publish commentaries on foreign policy topics in which Sikorski has played an official role in the Polish government’s decision-making.

The pair are among the most vocal Russia-haters, sanction-boosters, and NATO-promoters in eastern Europe. The New York Times recently reported that Sikorski “managed…secret missions with the United States.”

For a time also, Sikorski campaigned to be Secretary-General of NATO, and High Representative for foreign affairs of the European Commission. But he was rejected by the European members of NATO and by the European Union.

“I’m honest”, Sikorski announced.  “I am not into plotting and don’t steal. I am a double victim.”

Investigation of their financial disclosures by Polish officials, he and Applebaum have tweeted,    “stinks of Russian infowar tactic”. Publication in Warsaw of tape recordings of Sikorski’s political and business scheming was called “info-attacks on West” by his supporters. The Polish prime minister didn’t see it that way and pushed Sikorski out of domestic politics.   Follow the Sicklebaum rise and fall in the comic book just published.  

Even newer, but not so comic, is the report this week in Warsaw of new investigations of Sikorski’s money-making activities while taking the salary of a member of the European Parliament (MEP). According to this report of Stanislas Balcerac,     Sikorski is accepting a large amount of money on the side – and it’s unclear who is paying, what he is doing for the payoff, and what  secret missions Sikorski is running for the US.

by Editor - Wednesday, October 27th, 2021
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By John Helmer, Moscow
  @bears_with

When the German Army invaded Europe in the 1940s, they applied the doctrine of collective guilt against the civilian populations behind the Resistance and the partisans attacking their troops. After the Germans were defeated, the doctrine and the murderous result of it were judged to be a war crime. The London Charter of 1945, creating the legal basis for the Nuremberg prosecutions, introduced a special provision, Article 9, to turn individual associations of Germans into “criminal organisations”.

Collective guilt and guilt by association are hoary old doctrines, and when they reappear these days against blacks, Jews and muslims, for example, they are judged to be crimes of race hatred or hate crimes.

But when the doctrine is advocated in media reports and books about Russia and the Russians running the country since 2000, the doctrine isn’t a hate crime. It’s a war weapon whose detonators are being primed every day. The second handbook for demonstrating how to clean, load, and fire this weapon against Russia was published last year by Catherine Belton (lead image, right). She and Rupert Murdoch’s publishing house HarperCollins call their Russia war-fighting manual Putin’s People: How the KGB Took Back Russia, and Then Took on the West.  Belton, HarperCollins and the book are now on trial for lying and libel in the High Court in London.

In operational terms for the Russia war-fighters, Belton’s book was Fat Man, nickname for the US atomic bomb that was dropped on Nagasaki. Little Boy, the US bomb dropped on Hiroshima, came first. Before Belton, that was Karen Dawisha’s (left) book called Putin’s Kleptocracy, Who Owns Russia, published in 2014 by Simon & Schuster. Belton doesn’t mention Dawisha’s name or give her the credit for publishing the first manual in the info-war series.

by Editor - Tuesday, October 26th, 2021
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By John Helmer, Moscow
  @bears_with

The paintings of Thomas Gainsborough, the most famous English portraitist of the 18^th century, have almost nothing to do with Russia at war today.

Almost, but not quite nothing.

by Editor - Monday, October 25th, 2021
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