By John Helmer, Moscow
Naturally, war is about winning and losing. So there are songs to pick up your courage in advance, and songs of grief for what comes after. There are also songs to help you forget what is happening.
Since the destruction of Russia which Boris Yeltsin and the Clinton family began, together, in 1991, Yevgenia Smolyaninova has been the songstress of sorrow, and nostalgia. In remembering what has been lost, though, Smolyaninova sings to recover and renew the musical culture. Yeltsin was tone-deaf and dysrhythmic; his response to music was to stomp his foot in and out of time. Smolyaninova began her career of singing what she calls the national song in the Yeltsin decade. She continues today. The question is — who now is listening?
For Smolyaninova, “certainly the audience relationship to the national song has changed. For the worse. But sometimes I think that interest in this genre still exists, except that it lies slightly more deeply than thirty years ago. In the 1980s there was a big number of folklore ensembles, and on television a lot of broadcasts devoted to the national song. I very well remember how the Leningrad streets were filled by the participants of a folklore festival who had come from all over Russia. It was a procession that was as surprising as it was romantic. That can’t happen now. But today there’s another possibility. Those people who were young then have now matured. Maybe, in these most recent years their understanding of the song has deepened. Perhaps their relationship with the song has changed. The song is a part of the nation, with her images and traditions. Remembering the nation’s roots is very important!” (more…)























