
By John Helmer, Moscow
It’s a cliché about greed.
Akira Kurosawa’s 1950 film Rashomon allows four witnesses to an affair of lust, robbery and murder to tell their own versions of what had happened. There is one corpse, and several versions of how it got that way – at the hand of the wife, the bandit, or by suicide. The film originated in two earlier short stories by Ryunosuke Akutagawa. Japanese audiences haven’t been as moved as western ones by either. From the Japanese point of view, dressing up dead samurais, violated ladies, grumpy bandits, and humble woodcutters doesn’t make the lesson of the story fresher than it can be. Who doesn’t know that people do what they do, see what they see, remember what they remember out of their own self-interest?
A debt of $650 million, and accumulating losses of more than $100 million are the interest of this little Russian tale. The characters are Stephen Jennings (image, upper right), founder of the Renaissance Capital (RenCap) group; Suleiman Kerimov (lower right), an investor for himself and others who prefer to hide in the forest; and Mikhail Prokhorov, part-owner of RenCap since 2008 and thus Jennings’s Russian partner. There is no lady, no sex act, and death is avoided, at least so far.
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by John Helmer - Friday, December 14th, 2012
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