By John Helmer, Moscow
For one day in London every June and December, the Russian assets which regularly pass through greased palms on terms dismal for their repetitiveness, are of a beauty to make you forget the damage the trade does to the country and its people. The Russian Art Week auctions are the occasion. The results are an indicator of the price the Russian market, and also the foreign one, place on this beauty.
The auction houses claim not to know who buys and who sells. In fact, they keep the identities and addresses secret. That’s because the money for which the art works were exchanged may have been dishonestly come by at the start, hot in transit, and laundered now.
“Optimism for the future of Russia is at an all-time low”, commented a well-known London art dealer this week. “People with money are escaping and buying art. The good news about this week’s prices in London is that they could have been much worse. A bigger group of Russians is now buying at lower prices per work, so the cumulative total is a big one for the auction houses. You could say that the best Russian art is better priced to be more affordable if you are rich but not super-rich.”
A Russian art market source adds: “economic distress has always been good for the Russian art market. What you see today is that the old classes of St. Petersburg aristocrats and Moscow merchants who fled a century ago are now selling what they took with them to remind them of the country they left behind. Their heirs feel no sentiment towards Russia, or they are hostile. The buyers are also Russians on the run, but they are still sentimental. The paintings sold this week are being swapped between Russian exiles. They aren’t going back to the motherland. The state isn’t buying, and most people are too poor. The rich are buying for walls of chateaux in France and English country houses.” (more…)






















